The Kansabury Tales: Priests’ The Seduction of Kansas

Soundtrek, TK:ATL, Vinyl Cut Prose

“… from the cornfields you sing to me; all to the farmhouse born, majestic Kansan progeny … It’s the last picture show, all the cowboys they get ready for a drawn out charismatic parody of what a country thought it used to be …”

Somewhere between the Raid on Harper’s Ferry and a quiet riot in Thunder Alley, unraveling caucus tapestries of Americana mythology by way of character vignettes and under-rug-swept exposés, Priests unfurls the sails of Encyclopedia Titanica. Coasting along radio waves and traversing analogue transits, echoes of Chaucer’s Canterbury chronicles and the revenant of Captain John Brown’s Kansas crusade converge within a Heartland’s audiobiography of Kansabury Tales … it’s The Seduction of Kansas.

priests

A Jaguar’s six-string static lightning pierces the narrative into play, casting our first character onto the soundstage … electroshock genesis mellows into a steady cardiac bassline, and so we meet “Jesus’ Son:”

God came to me in a dream and told me that I’m Jesus’ son
I know this world is mean it’s lucky I’m the chosen one
I walked on eggshells backwards this secret on my face
But now the earth calls me I’m feral I’m a smoking gun

He feels like the lyrical offspring of Blind Melon’s pusher prophet, somewhere lingering in the genetic lineage of Everlast’s post-Eden duality: the rural re-up. Sowing seeds of mustard gas across the prairies of Tornado Alley, so our post-punk acolytes assemble their amplified altar, serving nouveaustalgia scene in an age of apparent great apostasy.

Crimson currents siphon through ciphers of a buy-one-get-one free marketplace on the eponymous second track, establishing the General Population’s prologue and leitmotif scaffolding: the senator, news anchor, Superman, and Dorothy, all of the Sunday dress mothers, White Castle, Pizza Hut, the Koch brothers — even Applebee’s. Totem polls check the cultural pulse as Katie Alice Greer rattles off American idols like a snake charmer luring straw men from a Stetson.

Suburbia submerges in surf rocked social distortion, while dust-laced diatribes bowl through valleys of rag dolls and puppet master parables … sonically speaking.

… Like Blood Flowing Through the Veins of Bad Kids: Born This Way is One Hell of A Drug

Soundtrek, TK:NYC

I don’t want to be part of the machine – I want the machine to be part of me.

lady_gaga_born_this_way_cover_110419:
Born This Way
is
a perfect record. It is uncomfortably euphoric. First spins are ideally experienced with a few close friends, or those who have spun before; likely obtained through contraband means however – the first spin is usually experienced in the wee hours of the night or morning… where the rush of the synesthetic synthetic splendor triggering peaks and valleys – previously unfathomed – comes with a conscious uncertainty: as to whether you like it or hate it, whether or not said rush is result of the product itself, or the hype surrounding and building up to the first taste, and whether or not this is in actuality real life, some surreal fantasy – or just the delirious drunkenness of well-deserved fatigue… It’s personal, political, public, and cultural; it’s the social catalyst, sedative, signpost and staple; it’s the universal shared experience, and the pre-eminent polarizing sign of the times – like blood flowing through the veins of a buncha bad kids: Born This Way is a trip down Alice’s glitter way – and one hell of a drug. #rhythmicrapture