SnappScenes: “Applause” – Lady Gaga

Anthropopogy // Culture, Deconstruction, Soundtrek, TK:LA, TrapperKeeper, Vinyl Mind Flow

I live for the applause, applause, applause – I live for the applause-plause, live for the applause #paws

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What I loved about Alejandro

This is the drop after the first waves and floods: I’m not here to talk about her facial features, or how to convert atheists into believers; I’m just saying that somewhere in the midst of a[n] indie short film, and a scene-by-scene homage to immaculate conceptions – and collections – lies a near perfect Pop music video period. Is pastiche supposed to be coherent? It is now – let’s delve.

What was lambasted in Born This Way

I don’t know where to begin or end with this one… and I suppose that’s the best way to be – as there is no beginning or end to the perpetual renaissance What artists do wrong is they lie, what critics do wrong is they try; I’m not going to try and pretend I know every conceptual reference here, nor analyze from a detached place of fault-and-fact finding – this isn’t about Pop cheat sheets and checklists… I’m just going to riff on what I know for me, and what I see

What lingered along the fringes of Scheiße

Lady Gaga broke her notoriously extended hiatus, premiering her first mastered piece of “new music” … Those two years of antagonizing anticipation culminated into the club-pulsing climax … Forget the fact that this may or may not be what you wanted to hear from someone about whom you may or may not give a scheiße – ether that; from start to finish, career and current track, no one – no one female Pop body – can produce: produce, what Gaga can. Line after line, time after time: perfection – the wait is always worth it.

There’s the flawlessly deft production we’ve come to expect from the Haus mother … stratospheric synth, deep bass, smooth distortion, uncannily human reverb pulsing the cacophony. Gaga lends her voice as an added layer, as much a part of the score as the bevy of inanimate instruments behind her

Eye Lights

Lady Gaga has solidified her sonic aesthetic and social impact – and they are one in the same. If the backbeat pulses harder than my own heartbeat, why not dance together? This is cold technology and hot harmonies, sheer energy, factory fashion, raw humanity, grime, graffiti, and glitterbombs; this is stream-of-consciousness that doesn’t make sense now, but will before the rest of the globe makes sense of itself: this is 31st Century schizo world – welcome Haume.


Is what lays the foundation for “Applause:” The pulse as nothing more, and never anything less, than the traverse between polarity

– once you know the system’s rhythm, all that’s left to do is choreograph the rendevous #multiversallyspeaking


The pulse, DJ White Shadow delivers Detroit – and so goes the nation. As far as I’m concerned, they laced the instrumentation with something not-entirely-approved by the FDA. Whether it’s the sonic robot-slap-to-the-face first spin, the morning-after pulled muscles result of a dolo dance party, or the realization that the method is in the systematic mania of said robot slap track – there is something unnatural about this rhythm: unnaturally human. It hollows and speaks at you in sophomoric platitudes, then it eases off while your guard remains staid, eventually you feel the tone thaw as the beat rises… it’s like Motown overtaking the machine, SoundScan beneath the Supremes… when you sing along, you’re fed the applause (whether or not you clap – the roar is the backing track): live to create, die to protect.