RAINBOW BODY: A miscellany with the curator…

art, Interview, TK:LA

Full Disclosure: I went to an art gallery one day, one thing led to another and here we are. I don’t know much about art, but I like words. When collected in a contained space, regardless of intended cohesion, sometimes these words take on a life of their own. Regardless of proper punctuation or standardized syntax, sometimes these words manifest into atmospheres of linguistic articulation made visual. Sometimes… the message is nothing more than the mood conveyed, and the connection between messengers new and old. This… could be one of said times. #kanyeshrug 

Rainbow Body is the fourth Solo Exhibition by British performance artist Millie Brown. An evolution of Brown’s original and most recognized performance work, Rainbow Body presents a survey of the artist’s new home in Los Angeles. Developed from Brown’s non-traditional, performance-based methods of painting from the inside-out, Rainbow Body features a post-contemporary study on abstract expressionism within a California palette. Using almond milk, food coloring, stomach and hands, Brown creates aesthetically whimsical paintings with a deep underlining of raw human emotion. Each piece tells the story of the Los Angeles sky, its past and its present, its light and its dark. Viewing the body as a vessel for spiritual practice, Brown pushes physical and mental boundaries to reach a state of enlightenment from which creative expression and healing derives. Rooted in Tibetan Buddhist theology, Rainbow Body is the phenomenon of viewing spiritual transcendence from a third person perspective. Rainbow Body is based on three wisdoms, representing the three categories of paintings: ground, presence, and energy.

First, a miscellany with the curator:

Natology: so rainbow body, reaching spiritual transcendence, is based on three principals: ground, presence, and energy.

sxb: and was that you, did millie come in and

Natology: Millie said ‘Rainbow Body’ and she said what it was, and i researched it. and then i just know, you know, spiritual evolution doesn’t just happen by being like: ‘alright we’re on the ground floor, on presence,’ and then it’s like, ‘rad, i just passed this layer,’ like it’s this level – it’s not that easy.

DSC_0878i

Vinyl Cut Prose: SxSwine

A.V Hub, TK:LA, Vinyl Cut Prose

I love my fans so much… I love my fans, because they always let me be myself… they don’t care what anybody says… and the reason that that’s important… is because, something you probably don’t know, is that when you’re not yourself, it’s so much harder… it’s so much easier to be yourself, than it is to be someone else… because when you have to pretend to be someone else… like things you don’t like… do things you don’t want to do… it eats your soul inside, and makes you do stupid sxxt… so I wrote this song about all the things I’m sorry for… and I’m mostly sorry to myself and I’m so sorry to myself that I, I don’t always be myself … – The Mockingjay Lady Known As Gaga

In case you were wondering what’s behind the swine … existence of the living gold mine … the reality that human traffic runs through vinyl, video, and grapevine … that spectacular misery is of industrial design … that the vomit you spew, pre-emptive anesthetic to the polity coup, our very own blood red, sterilized white, and royal blue … the surrender in silence, the deafening void, the sadness… the sadness… the lament and suffocating isolation of that human capital demise … that behind the lids are empty exes where once haused Tiresian eyes.