Everything was worth it. Everything is worth it. Everything will be exponentially more worth it in increasing measure as the cycles continue – if, you, work bxxch #BRITNEYTAUGHTUSALL
Please believe this could be a dissertation #ohwait #hadbeendonethat #twice #becauseitsjustthatnice
Brass tacks: It’s fun. Remixable. Killer hooks. Understandable fodder. Strong focus on the beat, pulse, and bombast – Britney claims her role as integrated pneuma, as opposed to overt lyrical / verbal navigator.
I make the governor / Call me the governor
… supports said dissertation #busherayouthsubculturecelebrityicon, and thesis #welcometopostpopmusicentertainmentculture quite nicely. I approve and appreciate.
SIDENOTE: ( I’m not a youth subculture celebrity icon of an era ushered in by an incumbent governor president-elect – but if I were, I would probably hook it with: “I make the governor call me the governor” – I approve, I appreciate, I acknowledge that if ifs and ands were pots and pans there’d be no #WORK for tinkers’ hands… #luckyguesses #Y2Kforeveryall)
If, you, want, that life – the glass house, the fame balls, the applause, the roar, the 20/20 experience, the carte blanche to go rogue, the holy grail, the crucifixion, the revolutionary rebirth, the ability to make them go berzerk in a breath, that ticket to kiss land – you, betta, werk.
Work hard like it’s your profession, with a kid on your arm be a still exceptional earner, email their hearts until that 808 breaks, cry them a river and build that dubstep bridge over monster cries, make it reign and valkyrie the slain, blackout until they cry because they wanted you to – go to both places, y’know?
So basically, she did it again #oops #accidentallyonpurpose she brought the EDM, she found love and light in an otherwise hopeless place (it’s not about marketing, it’s about just being cool – CC: EVERY OTHER ARTIST RELEASING ANYTHING THIS YEAR #notyouyeezus #FILEUNDER – #REASONSYOURLIGHTNINGHASNOTHUNDER)
The pulse is here… the pulse is here – I am no particular fan of will.i.am #graceyoumay #wordplay #allday #pause but he took a backseat (she likes to be first #REFERENCE) to the overarching beat, which I appreciate. For me, the song was a grower, within the capacity of the twenty seconds it took to wrap my head around the enigmatic conveyance, wrap my rhythm around the floor’s four, and wrap my soles around the #album 8 count – after that it was all irie #britishvirginislands #guvuhnah
Of course there’s touches of Scream & Shout (Ben #gimme Mor – video, video; Larry, Fireworks… #hatewaiting) but it’s not caught up in that world – although B-Girl does take a few visits across the pond for accentuation; when she’s not with the Bobbies, calling Guvnahs, she’s trapping with the Po-Lice #callem because she’s Southern, face it: if she’s too simple, y’all don’t get the basics. #kentwoodstandup #mccombstandup
Another friendly reminder: The Bugatti, the Maserati, the Cheetos, the Starbucks, the cheese grits #notyourmonsieursbrie, the Fanta, the Vanilla candles, the white Benzes, the 5150s, the Target shopping sprees, the lunches – the whole lot of lunches – if you want it, you, betta, work. And now, back to your regulary scheduled programming
The pulse is heavy, pay attention to the production – it is a beautiful production, so layered, so respiratory, like a breath of air whose freshness remains as mysterious #REFERENCE as it did when the energy introduced herself by asking you to hit her again #justeatthecakeannamae this air is electric though, and fluid, and terrestrial, and stratospheric – it’s like a cosmic bombast #oflove #REFERENCE #exactlylikeinamovie
The Nutshell #Message: (this means Kanye caps)
THE STRONGER WORKING WOMAN IN SHOW BUSINESS – SHE JUST WANTS YOU TO BE AWARE THAT SHE HAS BEEN ABOUT THAT LIFE SINCE BEFORE THE CORD TOUCHED THE KNIFE – YOU HAVE NEVER SEEN HER AT THE UNEMPLOYMENT OFFICE, BECAUSE SHE HAS BEEN DANCING FROM THE WOMB TO THE TOMB, AND THE WORLD HAS NOT ENDED YET – SO, WHERE ARE YOUR TAX RETURNS: SHOW, SHE, THE, RECEIPTS. HOW ELSE CAN SHE SAY IT – SHE DON’T SPEAK NO OTHER LANGUAGES (BUT THEY KNOW HER NAME HERE) #HELPMEHELPYOU #AGAIN #IFOUNDTHESEARCHENGINE #WHO.LEFT.
My Two Cents:
I never thought at 12, as a pop apprentice nestled in the confines of an elderly neighbor’s television room, watching the little kid with a big hit from Louisiana christen the Metropolitan Opera House VMA stage in 1999, that in 2013 I would be listening to the radio premiere of that now sightly-less-little-kid’s debut single off her eighth #countem studio album release – while driving up the same PCH many assumed would bring her down, so few years ago… For that I approve, appreciate, and acknowledge whatever it is the everything this is…
Watch This Space:
The pneuma is pulsing…
She is the bad Brit, the Brit you will never know…